Orpheus

In a book presented in two halves, and composed throughout in sapphics – in English, one of the most challenging of poetic forms – Dorgan’s contemporary Orpheus is part-drifter, part-troubadour, part-lover, recognising deeper patterns in his behaviour, but always of this place and time. In the book’s second half, the locus shifts farther out into mythic space with a parallel narrative from the Greek world that both mirrors and interweaves with the first half’s here-and-now.

Together they offer a fresh, adventurous and unexpected take on a foundational mythic figure.